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" Internet Book of Shadows "When Gerald Gardner was constructing Wicca, a major source for his rituals was The Key of Solomon, in the MacGregor Mathers translation. This is especially so for the casting of the circle. " This is a slightly edited version of a ritual in the Key: "Having chosen a place for preparing and constructing the Circle, and all things necessary being prepared for the perfection of the Operations, take thou the Sickle or Scimitar of Art and stick it in the centre of the place where the Circle is to be made; then take a cord of nine feet in length, fasten one end thereof unto the Sickle and with the other end trace out the circumference of the Circle, which may be marked either with the Sword or with the Knife with the Black hilt. leaving an open space therein towards the North. " Ceisiwr Serith, Circle Size"Darksome night and shining moon,East, then South, then West, then North;Hearken to the Witches' Rune Here we come to call ye forth!Earth and water, air and fire,Wand and pentacle and sword,Work ye unto our desire,Hearken ye unto our work!Cords and censer, scourge and knife,Powers of the Witch's blade Waken all ye into life,Come ye as the charm is made!" Doreen Valiente, Witches' Bible Compleat "Hail unto You, O Guardians of the Watchtower of the East, Powers of Air and Inspiration!We invoke You, and ask You to be with us this night, to share with us Your Your guidance, and Your inspiration. We pray that You will help us to open our minds and our eyes and strengthen our thoughts as we go forward this night. We bid You hail and welcome!Hail unto You, O Guardians of the Watchtower of the South, Powers of Fire and Manifestation!We invoke You, and ask You to be with us this night, to share with us Your Your guidance, and Your inspiration. We pray that You will help us to open our courage and passion and strengthen our resolve as we go forward this night. We bid You hail and welcome!Hail unto You, O Guardians of the Watchtower of the West, Powers of Water and Compassion!We invoke You, and ask You to be with us this night, to share with us Your Your guidance, and Your inspiration. We pray that You will help us to open our hearts and our emotions and strengthen our sensitivity as we go forward this night.

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It might be said that the most sacred space of the imagination dreams has been invaded by the artificial medium, and that this is a warning sign as to its deep and embracing influence. We argue that virtual worlds and virtual realities call upon us to extend the visualization hypothesis further from the senses of vision and sound to higher psychological dimensions of perception, including of time, interaction and associated aspects as a narrative construction, and judgments concerning reality versus fantasy. We posit that these are weak and almost irrelevant in TV, stronger in video games and predominant in virtual worlds, as the user becomes more and more immersed in the medium, and more and more of the material is supplied for the user by the medium. This is the key theoretical advance that we propose in this chapter. Accordingly, we propose to rename this phenomenon the displacement hypothesis in order to capture these new cognitive and sensory dimensions that are being displaced by the immersive virtual environment, and to emphasize that, when manufactured content is supplied ready made to the individual, it displaces the creative imaginative processes that the individual would otherwise supply for him or herself. In children whose creative imagination is still developing, such continuous displacement could have permanent effects on the creative imagination. It is no longer the visual only that is displacing the images that could have been created by the imagination; time, space, interaction and narrative, even presence and being, are now being projected onto us and consumed from the artificial medium, where they are replacing the natural pace and creation of these mental processes within the person. This has much more significant effects on the individual than when only the visual sense is being displaced. The most internal object, the mind, is becoming externalized, nourishing itself falsely from the artificial medium dimensions, and leaving little space for the flourishing of the imagination. This chapter has reviewed some of the extant literature on virtual worlds, particularly those aimed at children, as well as the imagination and its development. We have noted that there is a great potential for the use of virtual worlds to harm the development of the creative imagination in the childs developing mind.

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Evil, Sin and Suffering in the Select Novels of Graham Greene . Suma Aleya John, M. A. , M. Phil. , Ph. D. , EditorTrends in Select Sahitya Akademi Award winning Tamil NovelsWord Order Typology and Its Implication in Translation . Prof. Rajendran SankaravelayuthanDr. N.